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$99.99
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MXR 6" Guitar Pedal Patch Cable - Right to Right (90-90)
Lucas Duxbury
From the manufacturer
MXR is a New York-based manufacturer of effects pedals from Rochester. The manufacturer was co-founded in 1972 by Keith Barr and Terry Sherwood and incorporated as MXR Innovations, Inc. in 1974. The MXR is now owned by Jim Dunlop, which continues to produce the original effects units along with new additions to the line.
From the brand
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Located in Benicia, California, Dunlop Manufacturing, Inc. was founded as a small family-owned and -operated company by Jim Dunlop in 1965. Today, it is a leading innovator of electronics, picks, capos, slides, strings and other music accessories. Home to such legendary products as the Cry Baby Wah, MXR pedals, Tortex Picks, and the Original Trigger Capo, Dunlop offers high performance and a better playing experience to musicians worldwide.
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MXR EFFECTS
Founded in 1972 and part of the Dunlop family since 1988, MXR continues to provide modern innovations alongside the classics.
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PICKS
Since 1965, Dunlop has lead the world in pick design—from classic Nylon and Tortex Picks to innovative Primetone and Flow Picks.
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CAPOS
Our very first offering, Dunlop Capos reflect the innovation, quality, and precision that only 50+ years of experience can provide.
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CARE & MAINTENANCE
Preferred by the pros since 1999, Dunlop has everything you need to care for your instrument with confidence.
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CRY BABY WAH PEDALS
Released in 1967, the Cry Baby Wah has continued under Dunlop since 1981 to evolve and help players shape their musical vision.
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Compare with similar items
This Item  MXR Micro Amp |  |  |  |  |  | |
| Price | $99.99 | $139.99 | $37.00 | $75.99 | $99.99 | $62.99 |
| Delivery | Get it as soon as Friday, Apr 26 | Get it as soon as Friday, Apr 26 | Get it as soon as Friday, Apr 26 | Get it as soon as Friday, Apr 26 | Get it as soon as Friday, Apr 26 | Get it as soon as Friday, Apr 26 |
| Customer Ratings | ||||||
| Versatility | ||||||
| Sold By | Amazon.com | Briskdrop | Kairon Guitar Store | FLAMMA | Zorro Sounds | Amazon.com |
| hardware interface | 1 4 inch audio | — | bluetooth | — | — | 1 4 inch audio |
| power source | Adapter | Corded Electric | Battery Powered | Corded Electric | Adapter | Electric |
| amperage | 9 milliamps | — | 9 amps | 300 milliamps | 1000 milliamps | 30 milliamps |
| signal format | Analog | Analog | Analog | Digital | Analog | Analog |
| controls type | — | Knob | — | Knob | — | Knob |
| voltage | 9 volts | 9 volts | — | 9 volts | 9 volts | 9 volts |
| style | Compact | Classic | Chorus,Delay,Distortion,Multi Effects,Overdrive,Preamp,Reverb | Preamp | Compact | Standard |
Reviews with images
Good boost pedal for the money
What can I say about the most popular boost ever. I really like this pedal for Fender amps to break up, or to boost things at unity, those are my two applications for it. I keep it at 3 for the small sparkle and depth it can add, and an overall volume adjustment to my drives. In this way it’s always on to add some mojo, thickness , and chime while evening out my volume.Next setting it at 12 or above will drive any non master Fender style amp well. That’s the Jack White rhythm distortion right there. He has some installed on his guitars even. He uses it as an always on, set level for breakup at the start and leave it. Great natural break up sound without cranking your amp. Also great for low volume playing to thicken up, when the FOH is telling you to turn down to volume 2.If you have a nice amp that breaks up, you could simply leave it at the last clean spot. Then use this to boost your medium to 60s rock distortion sounds. Maybe throw a Muff behind it or RAT and you’re cooking.For my purposes I put it after my drives as an always on at unity to fatten up. When I disengage my drives, I still have a very powerful sound like a compressor..but it doesn’t effect my other drives gain.
Top reviews from the United States
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Reviewed in the United States on September 24, 2023
Reviewed in the United States on July 21, 2016
Reviewed in the United States on July 22, 2023
What can I say about the most popular boost ever. I really like this pedal for Fender amps to break up, or to boost things at unity, those are my two applications for it. I keep it at 3 for the small sparkle and depth it can add, and an overall volume adjustment to my drives. In this way it’s always on to add some mojo, thickness , and chime while evening out my volume.
Next setting it at 12 or above will drive any non master Fender style amp well. That’s the Jack White rhythm distortion right there. He has some installed on his guitars even. He uses it as an always on, set level for breakup at the start and leave it. Great natural break up sound without cranking your amp. Also great for low volume playing to thicken up, when the FOH is telling you to turn down to volume 2.
If you have a nice amp that breaks up, you could simply leave it at the last clean spot. Then use this to boost your medium to 60s rock distortion sounds. Maybe throw a Muff behind it or RAT and you’re cooking.
For my purposes I put it after my drives as an always on at unity to fatten up. When I disengage my drives, I still have a very powerful sound like a compressor..but it doesn’t effect my other drives gain.
Next setting it at 12 or above will drive any non master Fender style amp well. That’s the Jack White rhythm distortion right there. He has some installed on his guitars even. He uses it as an always on, set level for breakup at the start and leave it. Great natural break up sound without cranking your amp. Also great for low volume playing to thicken up, when the FOH is telling you to turn down to volume 2.
If you have a nice amp that breaks up, you could simply leave it at the last clean spot. Then use this to boost your medium to 60s rock distortion sounds. Maybe throw a Muff behind it or RAT and you’re cooking.
For my purposes I put it after my drives as an always on at unity to fatten up. When I disengage my drives, I still have a very powerful sound like a compressor..but it doesn’t effect my other drives gain.
Images in this review
Reviewed in the United States on October 2, 2013
Reviewed in the United States on September 12, 2016
